The idea of standing while sound editing had been in my mind for many years. My initial thoughts were that it would be too hard to be on my feet all day, and I didn’t really have any idea how to do it from a practical standpoint. […]
CineMontage caught up with the editors, and their first assistants Matthew Schmidt and John Dietrick, as they were finishing the film, which sees Stark/Iron Man pushed to his limit while battling the Mandarin (Ben Kingsley). […]
The American Experience had a unique style and zeitgeist. The stories were never pat interpretations of historical figures and events, nor did they shy away from the chronicles of lost causes, defeats, rough compromises and violence. […]
Greg Hayden was worried that the story might not be as interesting when the fantasies ended. But he was pleased when the opposite happened, and he worked diligently on maintaining a balance between fantasy and reality. […]
Unlike most guilds in the film industry (the Screen Actors Guild excepted), the Motion Picture Editors Guild looks forward to its membership garnering multiple Academy Awards every year. […]
In the MAY-JUN 14 issue of CineMontage, writer Mel Lambert surveyed sound designers, sound editors and supervising sound editors about the Digital Audio Workstation add-ons that they use to get the job done. In this issue, we’ve asked picture editors what their plug-in choices are. […]
Film editing may be known as “the invisible art,” but picture editors Zene Baker and Evan Henke never expected that all their work cutting The Interview was in danger of becoming invisible itself. […]
This year’s Oscar nominees for Best Sound Editing transport us to three very distinct war zones (American Sniper, The Hobbit: The Battle of the Five Armies, Unbroken), take us for a roller-coaster ride inside a wormhole and a black hole (Interstellar), and put us in the mindset of a has-been movie star going out of his mind (Birdman). […]
The Academy Award nominees for Film Editing this year exemplify the importance of the collaborative role of the editor in shaping a director’s vision. […]
This year’s Oscar nominees in the Sound Mixing category include an offering that profiles a conflicted long-gun wielder, one that focuses on a sadistic music teacher, a zany theatrical comedy, a journey across space and time, and a character overcoming adversity. […]
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