“There was a real delicacy with how we wanted to handle everything, so we just had to figure [it] out… We didn’t want to color it in any manipulative way.” […]
“Work hard, be humble, be ready.” […]
The keynote panel addressed the topic of pivotal sound changes within the post community, including the rise of streaming services, emergent technologies and formats, plus evolution of the sound designer/re-recording mixer. […]
New WSC Co-chairs Diana Fishman and Aimee Jennings organized a long-planned “picture day” brunch for members to get together in Los Angeles for new professional headshots (photographed by fellow Guild member Kaylee Colton) and networking in a relaxing and supportive environment. […]
“Because of the way I bootstrapped my career, it has been very wide, eclectic and involved many genres.” […]
“It’s unnatural for me to think about my editorial voice, because an editor’s job is to take our stylistic cues from the director and become one with the material.” […]
Here, we consider products from three of the leading developers of processor and plug-in design: Sound Particles, iZotope/Exponential Audio and Liquid Sonics. […]
I prepare localization assets for worldwide digital distribution and streaming. That involves collecting and creating localized picture elements — including main titles, locators, end credit sequences for live action, actual scene or background changes with text or images that are in the local language for animation […]
By Rob Feld Vince Gilligan’s “Breaking Bad” and its spinoff, “Better Call Saul” (co-created with Peter Gould), played significant […]
By Peter Tonguette For 18 years, on and off, the director of “Five Easy Pieces” (1970) and “The King […]
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