“I had worked at a movie theater where I saw hundreds of movies in front of audiences, from the late ’70s to the mid-’80s. I watched them so many times—things like ‘E.T.’—that I could tell you what the audience was going to do.” […]
“After I took my first editing class, I was hooked. It’s funny, because I remember thinking I would never be an editor because it seemed too hard — but once I tried it, I had a lot of fun and wanted to continue learning.” […]
“I’m a middle-aged, white male editing the Emmett Till story. We talked about that.” […]
“There was a real delicacy with how we wanted to handle everything, so we just had to figure [it] out… We didn’t want to color it in any manipulative way.” […]
“Work hard, be humble, be ready.” […]
The keynote panel addressed the topic of pivotal sound changes within the post community, including the rise of streaming services, emergent technologies and formats, plus evolution of the sound designer/re-recording mixer. […]
New WSC Co-chairs Diana Fishman and Aimee Jennings organized a long-planned “picture day” brunch for members to get together in Los Angeles for new professional headshots (photographed by fellow Guild member Kaylee Colton) and networking in a relaxing and supportive environment. […]
“Because of the way I bootstrapped my career, it has been very wide, eclectic and involved many genres.” […]
“It’s unnatural for me to think about my editorial voice, because an editor’s job is to take our stylistic cues from the director and become one with the material.” […]
Here, we consider products from three of the leading developers of processor and plug-in design: Sound Particles, iZotope/Exponential Audio and Liquid Sonics. […]
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