Sabine Hoffman Talks of Editing a Black and White Journey in Period Drama ‘Passing’
“’Passing’ is a story of many layers—it invites another look, a second viewing, and with every round you notice other aspects.” […]
“’Passing’ is a story of many layers—it invites another look, a second viewing, and with every round you notice other aspects.” […]
Ninety-eight percent of members voted yes; the turnout was 90%. […]
“Adequate sleep, reasonable turnaround times, meal breaks, sustainable health and retirement benefits and living wages are the basic building blocks of a healthy industry and benefit producers as well as crew,” ACE, the 61 year-old honorary society for film editors, wrote in a statement. […]
This is a historic moment for the rank-and-file members of the IATSE bargaining unit. […]
With a reported attendance in excess of 100,000 from some 160 countries, plus 1,800-plus exhibitors, the NAB Show is often described as the world’s largest convention encompassing the convergence of media, entertainment and technology — the self-styled “MET Effect.” […]
These thousands of post-production professionals logged on to hear National Executive Director Cathy Repola report on the ongoing IATSE Basic Agreement negotiations, which occur every three years and affect contracts in film and television. The turnout eclipsed the meeting during the last negotiation cycle in 2018 when about 2,100 members showed up in the ballroom of the Sheraton Universal. […]
Rodriguez, who has been working with Schrader since the mid-2010s, is a comparative newcomer. The Cleveland native made his feature film debut as the editor on what was Schrader’s 19th directorial feature, the explosively original noir comedy “Dog Eat Dog” (2016). […]
MPEG nominees won for work on projects ranging from the dramas “The Crown” and “The Queen’s Gambit” to comedies such as “Ted Lasso” and “A Black Lady Sketch Show.” […]
It was all champagne and roses—er, champagne and Cheez-Its—for the Women’s Steering Committee (WSC) as it hosted its fourth annual Emmy celebration on August 22. […]
“There’s a misperception that if you cut scripted, you can’t cut reality.” […]
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