Guild
OPINION: How the New Member-to-Member Section Was Born to Help Job Hunters
“What does our union ever do for us?” This is a question I’ve been asked on various occasions. […]
Web Exclusives
Web Exclusives
Tariq Anwar Helped Bring History to Life in Civil Rights Drama ‘One Night in Miami’
By Peter Tonguette Last year, picture editor Tariq Anwar, ACE, had a most unusual experience: His editing room came to […]
Labor
Vice Media Post Employees
Ratify Guild Contract
Post-production employees of Vice Media, Inc. have overwhelmingly ratified a Motion Picture Editors Guild union contract. The agreement addresses employee’s concerns over pay and job security, and also breaks new ground on the topic of gender and use of pronouns. […]
Web Exclusives
Harry Yoon Talks About Editing the Immigrant Experience in ‘Minari’
“So many of the scenes, especially seeing them come to life in the dailies, were these explosions of memory.” […]
Web Exclusives
Andrew Mondshein on Editing Chadwick Boseman’s Farewell in ‘Ma Rainey’s Black Bottom’
Mondshein was a longtime collaborator of legendary filmmaker Sidney Lumet, who, as the New York-based, Academy Award-nominated editor tells it, was persuaded that few things in cinema were as fascinating as a well-timed close-up. […]
Web Exclusives
What Our Members Do: R. Chett Hoffman, Animation Editor
“Fate kind of pushed me into it.” […]
2021
Cut to Black: Kimberly Wilson, Supervising Sound Editor
She is currently working on season 2 of “All Rise” for CBS All- Access and gearing up for season 2 of “David Makes Man” on the OWN network. […]
2021
Cut to Black: Q de Chambres, Picture Editor
His proudest credit includes the upcoming DisneyPlus series “Behind the Attraction,” Tower of Terror episode. […]
2021
Cut to Black: J. Kathleen Gibson, ACE, Picture Editor
She recently finished a pilot about Julia Child for HBOMax. […]
2021
Cut to Black: DeVaughn Watts, Music Editor
His previous credits includes Universal Picture’s “Us,” Netflix’s “6 Underground,” and Amazon Studios’ “Guava Island.” […]
