The American Cinema Editors (ACE), the honorary society of the world’s top film editors, has announced nominations for the 69th Annual ACE Eddie Awards, recognizing outstanding editing in 11 categories of film, television and documentaries. […]
“I am incredibly proud to be part of the ‘Chicago Med’ family. They also took a chance on me because I had no scripted experience, but I had a couple of friends there who vouched for me.” […]
‘Welcome to Marwen’ is a Universal Pictures and DreamWorks Pictures feature starring Steve Carell that takes place in the real world, as well as a world populated by dolls. It was released by Universal on December 21. […]
Three-dozen enthusiastic MPEG members gathered in the Editors Guild’s Dede Allen Seminar Room in Los Angeles to celebrate the careers of five members of Pan Pacific and Asian descent who were nominated for Emmy Awards in 2018. […]
Congratulations to the newly elected or re-elected members of the Motion Picture Editors Guild’s 2019 Board of Directors. The new members will take office on January 1, 2019. […]
The Motion Picture Editors Guild will honor veteran sound re-recording mixer Lee Dichter, CAS, with its prestigious Fellowship and Service Award at The Sheraton New York at Times Square on October 20, 2018. […]
The Motion Picture Sound Editors (MPSE) has announced that supervising sound editor Stephen H. Flick will be the recipient of its 2018 MPSE Career Achievement Award. A veteran of 40 years and more than 150 films, Flick has won two Oscars for Sound Editing. […]
Taking a cue from Netflix, Amazon and other media providers, DC Entertainment and Warner Bros. Digital Networks last year unveiled DC Universe, a video-on-demand service that will include original TV programming, access to select animated series and films from an extensive back catalog. […]
Orson Welles was looking forward to editing ‘The Other Side of the Wind.’ In 1970, before he had even begun shooting what became his now-fabled unfinished (until this year) film, Welles discussed his post-production plans in a conversation with his friend, actor-director-writer Peter Bogdanovich. […]
Millions may have seen ‘The Godfather,’ but, during its initial release, colorist Jan Yarbrough was not among them. Three decades after its release, however, he was given the opportunity to study the film more closely than any mere audience member. […]
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