Meyerson momentarily stopped thinking of scores like songs for one of his most personally significant projects: writer-director Terrence Malick’s World War II drama ‘The Thin Red Line,’ released by 20th Century Fox in December 1998. […]
My primary job is to identify and “tag” an asset into our tracking system to be able to quickly retrieve that item in the future. We consistently field department requests to retrieve their previously created content. […]
The Academy of Motion Picture Arts and Sciences has extended invitations to join the organization to 928 artists and executives from 59 countries — including 37 Editors Guild members in good standing — who have distinguished themselves by their contributions to theatrical motion pictures […]
The period during which the newsletter circulated was a critical and tumultuous one for movie sound. It was clear to all that digital would ultimately replace multi-track analog, but no one knew when, or in what format. […]
War for the Planet of the Apes, the third chapter of 20th Century Fox’s latest reboot of the Planet of the Apes franchise, opened July 14, almost three years to the day after Dawn of the Planet of the Apes, the second in the series. […]
As one of the most anticipated sequels, with one of the longest waits ever for it to come to fruition, ‘Blade Runner 2049’ pays tribute to Ridley Scott’s iconic sci-fi offering from 1982. […]
I am both technical director and crew chief. As technical director, I am the co-pilot and the director is the pilot. Our team of 30 brings producers’ scripts to life through pictures and sound that best show and tell the story. […]
Since starting her career, picture editor Shannon Baker Davis’ work schedule has almost always been crowded. On both coasts, most of it was in unscripted TV. […]
Adorned in every color out in the galaxy, gorgeous drag queens strutted the runway with pizzazz and style in the Editors Guild’s Dede Allen Seminar Room, in clips on screen, though not in person, on a Saturday evening in early April. […]
In ‘The Last Waltz,’ released by United Artists 40 years ago in April 1978, director Martin Scorsese trained his cameras on what was intended to be the last concert of the Band at San Francisco’s Winterland Ballroom. […]
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