
Op/Edit: To Honor Labor Day, A Union Deal that Dishonors Labor?
Opinion: Has our union has made a deal that doesn’t respect the labor of members? […]
Opinion: Has our union has made a deal that doesn’t respect the labor of members? […]
Over the course of her long and accomplished career, assistant editor Christy Richmond has attended her share of screenings for studio executives. Sometimes, the higher-ups respond favorably; other times, their reactions are less than what the filmmakers might have expected. […]
Time is a huge challenge, with schedules for episodes getting shorter and shorter. I think it’s key to be honest with producers and post supervisors — if you’re drowning in material and feel you need extra support, say it! […]
“Developing a soundtrack is a collaborative process, from the spotting session to the dub stage,” stressed Oscar–nominated sound designer, supervising sound editor and re-recording mixer Ai-Ling Lee, CAS. […]
During its heyday from 1940 to 1946, hundreds of Soundie reels, each holding eight films, were circulated to roughly 3,500 Panorams located throughout the United States. […]
For me, the most exciting part of the job is taking music written by the composer and finding sneaky ways to reintegrate it into different parts of the show. This not only establishes thematic continuity, but also helps speed the process along. […]
Local 700 members are rallying around their leadership in condemning the IATSE tentative deal online. […]
In a strong display of solidarity, a record number of Motion Picture Editors Guild members attended Special Membership Meetings in Los Angeles, New York and Marin County to discuss contract negotiations. […]
Nominations for the 70th Emmy Awards were announced on Thursday morning, July 12 by the Television Academy. The Editors Guild congratulates all of its members who received nominations. […]
There are a lot of reasons why creative media professionals require a display on their desks that is capable of representing highly accurate colors. To start, animators must be confident that color choices will result in final renders that look how they expect them to look. […]
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