Those of us gathered in the audience on this early November evening did not need an introduction to the guest of honor sitting among us: the editor, Dede Allen, ACE. […]
I’ve met and worked with people who are fascinating and talented. Movies are in my blood, and it has been a fulfilling, exciting and gratifying experience. […]
Ken Burns has always acknowledged the large part Paul Barnes, his chief picture editor, has played in the smooth operation and artistic prominence of Florentine Films. […]
CineMontage learned of the editor’s appreciation for collaboration—be it with her mentors, directors or assistants. […]
The Motion Picture Editors Guild has selected veteran film editor Dede Allen, ACE, to be the 2008 recipient of the Guild’s prestigious Fellowship and Service Award. […]
My career has been filled with luck and many serendipitous moments that brought me to this space in time. […]
To help navigate through all the improvised sequences, Alpert extensively used Avid’s Script Tool, an older but still useful utility on a movie such as ‘Pineapple Express’. […]
Carol Littleton, ACE, has never been one to sit back and wait for something to happen. Instead, she makes things happen. […]
‘Being Hal Ashby’ examines the director’s tormented personal life and childhood, and traces the troubled personal skein into an exemplary body of work in motion pictures […]
Such strong ties are borne at home. But for this family, they are also the result of years spent together in Hollywood’s cutting rooms. All three sons have learned the master craft of picture editing under the tutelage of the paterfamilias, otherwise known as “Big D.” […]
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