Web Exclusives
Emmys 2019: How the Team Behind ‘Deadwood: The Movie’ Captured the Sounds of the Old West
“I wanted to make sure that we were hearing the right train, the right kind of Baldwin Locomotive.” […]
Re-recording Mixers
What Our Members Do
What Our Members Do: Geraldo Gutierrez
“Watching ‘Lost’ was one of the reasons I wanted to get into audio post production.” […]
Features
When They Hear Us: Creating the Period-Specific Soundtrack for a Tragedy of Justice
The Netflix four-part miniseries When They See Us, which dropped May 31, was originally called Central Park 5. That working title identifies the overarching plot trajectory: The notorious case of five teenagers of color who were wrongly convicted of raping a white female jogger in New York, and which resulted in the use of the term “wilding” to describe out-of-control gang activity. The revised title better reflects the fate of the young people unjustly ensnared in the criminal justice system by embracing their humanity and not their politicized role. […]
Web Exclusives
A Sonic Odyssey: Sound Editors Share Their Personal Effects Library
The Odyssey Collection: Complete is a library featuring more than 100,000 sound effects in close to 300 categories. The library was created from sound editors Mark Mangini and Richard L. Anderson’s private archive built-up over 30 years of working in the feature film and TV post-production industries. […]
Columns
Gregg Barbanell on ‘Breaking Bad’
Like most Foley artists, Gregg Barbanell, MPSE, aims for his work to go undetected by audiences. After all, footsteps should sound like they are emanating from the shoes of the actor who appears on screen, not the Foley artist behind-the-scenes, right? […]
Web Exclusives
‘Making Waves’ to Premiere at Tribeca
The documentary Making Waves: The Art of Cinematic Sound, which CineMontage wrote about in October 2017, will receive its world premiere at the Tribeca Film Festival in New York City in late April. […]
Web Exclusives
What Not to Miss at NAB 2019:
Future Post Tech and Much More
With an expected attendance in excess of 100,000 this coming weekend at the Las Vegas Convention Center for key technical sessions, workshops and seminars, the annual NAB Show has become an important venue for post-production professionals. […]
Awards
2019 Oscars: Post-Production ‘Rhapsody’
Once again, in what has become a trend at recent Oscars, the awards in all three post-production categories were swept by the same film, in this year’s case ‘Bohemian Rhapsody,’ the biopic of the British rock band Queen and its charismatic lead singer, Freddie Mercury. […]
Web Exclusives
What Our Members Do: Craig LoGiudice
“I discovered audio post while in school for audio engineering. Having always loved film, it seemed like a perfect fit artistically and, to be honest, a good way to make a living.” […]
Awards
Oscar-Worthy Re-Recording Mixers
At the 2019 Oscars, the nominees in the Sound Mixing category have worked on a wide variety of movie genres, from the super-heroes of ‘Black Panther’ to the Oscar-nominated Rami Malek’s turn at stadium rock with the band Queen in […]
