A Guide to Putting the ‘Pro’ in Pro Tools
If you’re a Pro Tools instructor, ‘Audio Production Basics With Pro Tools | First’ provides a guided, formal course of study that will turn beginners into Pro Tools engineers. […]
If you’re a Pro Tools instructor, ‘Audio Production Basics With Pro Tools | First’ provides a guided, formal course of study that will turn beginners into Pro Tools engineers. […]
Cinemontage talked to Robert Knudson in his office on Seward Street for this two-part interview. […]
Robert Knudson talks about schedules, ‘eye-ear coordination’ and drugs and alcohol in the ’60s. […]
Kay Rose talks about the relationships between mixers and sound editors, her role as an independent and the power of sound to create drama and shape story.
Production mixer Chris Munro, sound editor Victoria Rose Sampson and re-recording mixer Leslie Shatz share their different points of view about sound. […]
Joseph “Jay” Duerr’s interview with Walter Murch. […]
The ‘Cinderella Man’ editorial crew all demonstrate a synchronization of minds as smooth as the high-tech machinery in front of them. […]
For post sound professionals an independent film is defined largely by little more than faith in their own creative abilities and a desire to help clients. […]
Droidmaker takes the reader inside the early years of Lucasfilm’s computer division. George Lucas foresaw a time when film would be replaced by a digital, high-resolution alternative that was neither film nor video. […]
“Brando’s voice and presence serve as a memory bridge back to that time.” – Craig Berkey supervising sound editor/sound designer […]
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