Randy Thom on ‘Making Waves,’ the Documentary That Gives Voice to 90 Years of Sound in Movies
“Sound is generally undervalued as a creative asset, and sound people are undervalued as creative contributors.” […]
“Sound is generally undervalued as a creative asset, and sound people are undervalued as creative contributors.” […]
“I do my most creative work when there are constraints.” […]
“The show’s music sets the tone.” […]
Held Saturday and Sunday nights in Downtown Los Angeles, the awards honor creative and technical achievement in numerous categories, including picture and sound editing, sound mixing, and technical direction. […]
“This event has grown in the most wonderful ways.” […]
“I wanted to make sure that we were hearing the right train, the right kind of Baldwin Locomotive.” […]
“This isn’t the real world … That’s our challenge, right?” […]
“It feels like the old Veronica, but a very adult Veronica…a darker, grown up Veronica,” Bost says. […]
The Netflix four-part miniseries When They See Us, which dropped May 31, was originally called Central Park 5. That working title identifies the overarching plot trajectory: The notorious case of five teenagers of color who were wrongly convicted of raping a white female jogger in New York, and which resulted in the use of the term “wilding” to describe out-of-control gang activity. The revised title better reflects the fate of the young people unjustly ensnared in the criminal justice system by embracing their humanity and not their politicized role. […]
During the annual NAB Show, which ends its 2019 run at the Las Vegas Convention Center on Thursday, April 11, two leading innovators of picture editing platforms announced new updates and enhancements. […]
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