Last Year’s Award Winners Discuss Their Work
Most recent award victors queried actually admitted, that if you’re good at what you do, you’ll get work––award winner or not. […]
Most recent award victors queried actually admitted, that if you’re good at what you do, you’ll get work––award winner or not. […]
A very summer, my family got invited to the Paramount Studio picnic by my uncle, Al Zuniga. New movie and TV stars would appear; most notably for me were the Cartwrights from Bonanza. Al was Paramount’s trailer editor and his job really intrigued me. […]
I started editing quarter-inch reels of recorded audio sessions, then got bumped up to an assistant working with film on a Moviola. I was surprised by how much I liked it.
The independent movie is infused with the iconic sounds of the 1960s group and shows the in-studio process. […]
The old edict “Necessity is the mother of invention” certainly rings true for Foley artists — the people who create sounds for film and television. To be a Foley artist is to be creative and detail-oriented, intuitive and analytical; they must be in good physical condition and, as it turns out, quite often a mind reader.
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Richard Hymns is busy working on the film with assistant supervising sound editor Andre Fenley and sound designer Frank Eulner at Skywalker Sound in Marin County, California […]
‘Music Editing for Film and Television’ gives ample attention to the artistry and personal character required to master this specialized profession. […]
The public’s demand for feature-quality music in everything from reality shows to full-hour TV dramas–has turned the production music market into a half-billion-dollar-a-year intellectual property based business. […]
What comes through in ‘Bobby’, from start to finish, is the trueness of all the performances and the passion that went into making it. […]
The initial rock ‘n’ roll films produced in the mid-1950s are more interesting today as artifacts than as art. […]
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