Web Exclusives
Kirk Baxter Talks About Methods and Madness in Editing Netflix’s ‘Mindhunter’
“I am trying to outgrow the part where you loathe yourself until you like the scene.” […]
Year: 2019
Web Exclusives
John Axelrad and Lee Haugen Take Editing Voyage into Deep Space with Brad Pitt in James Gray’s ‘Ad Astra’
“’Ad Astra’ is an existential journey. The further Roy McBride travels out into space, the deeper we go into his soul. It’s really a dive into the subconscious.” […]
Web Exclusives
PHOTOS: 2019 Post Labor Day Picnic Gave Families a Chance to Soak Up Sun and Music in Burbank
Guild families braved the heat Saturday. […]
Web Exclusives
EMMYS 2019: Here Are All the Guild Members Who Won Creative Arts Awards Over the Weekend
Held Saturday and Sunday nights in Downtown Los Angeles, the awards honor creative and technical achievement in numerous categories, including picture and sound editing, sound mixing, and technical direction. […]
Web Exclusives
Kelley Dixon Talks About Editing John Crowley’s ‘The Goldfinch’
“I recognized early on what this kid was going through and how he felt.” […]
Web Exclusives
IN MEMORIAM: Jerry Bender, Madison Avenue Ad Wizard and ‘Say Say Say’ Editor, Remembered by His Daughter
He said, “Mom, I really want to work for that film company.” And she said, “OK, Jerry. You do that.” […]
Web Exclusives
2019 Emmys: See Photos of the Guild’s Nominated Women at MPEG Awards Brunch
“This event has grown in the most wonderful ways.” […]
Web Exclusives
PHOTOS: Editors Guild Members Join the March at 2019 NYC Labor Day Parade
Local 700 members turned out for a strong showing of worker support. […]
Features
How Famed Hollywood Eatery Musso & Frank Became a Post-Production Hangout
For the last century, the Musso & Frank Grill has been the preferred dining and drinking destination for innumerable movie stars, literary legends and other notables. Even sports heroes have been known to walk through its doors. […]
What Our Members Do
What Our Members Do: Jillinda Palmer, Music Editor
“My biggest challenge is navigating the dynamics between producers and mixers.” […]
