2022
Cut to Black: Antonia de Barros, Picture Editor
An Editor who continues to “trust the process” and whose credits include “What We Do in the Shadows,” “Shining Vale” and “Rise of the Pink Ladies” […]
Month: February 2022
2022
Cut to Black: Leigh Gaston, Assistant Editor
Assistant Editor on “The Good Doctor” and then changes it up and works as a Digital Editor on “The Voice” […]
2022
Cut to Black: Terah “Bishop” Woodley II, Assistant Re-Recording Mixer
Assistant Re-recording Mixer whose credits include “Licorice Pizza,” “Don’t Look Up” and “Dark Web: Cicada 3301” […]
2022
Cut to Black: Tyson Penrose, Assistant Editor
“House of Creators” Assistant Editor who is currently working on a project at Disney…making his mark […]
2022
Cut to Black: Bradinn French, Picture Editor
Editor whose credits include “A Black Lady Sketch,” “American Horror Story,” “Medal of Honor” […]
2022
Cut to Black: Joe Earle, CAS, Re-recording Mixer
For each day in the month of February, the African American Steering Committee will be highlighting Local 700’s African American […]
2022
Cut to Black: Brian J. Comer, Story Analyst
For each day in the month of February, the African American Steering Committee will be highlighting Local 700’s African American […]
2022
Cut to Black: Telon Weathington, Logger/Transcriber
For each day in the month of February, the African American Steering Committee will be highlighting Local 700’s African American […]
2022
Cut to Black: Darrel Drinkard, Assistant Editor
Assistant Editor on “Law & Order SVU” and DC’s “Legands of Tomorrow” […]
2022
Cut to Black: Marvin Morris, Music Editor
Emmy nomination for “When the Levees Broke,” other credits include “Judas & The Black Messiah,” and “BlacKKKlansman” […]
