2022
Cut to Black: Roderick Hicks, Assistant Editor
“9-1-1” series Assistant Editor takes a deep dive into scripted television […]
Departments
2022
Cut to Black: Monty DeGraff, Picture Editor
Editor of “Law and Order,” “Narcos,” and “Power Book III: Raising Kanan” […]
2022
Cut to Black: Deanna Nowell, Picture Editor
Proudest credits are “Grand Crew,” “Raising Dion,” “Ambitions” and “Sacrifice” […]
2022
Cut to Black: Pam DeMetruis-Thomas, Sound Editor
Sound Editor for film/tv whose credits include “Passing,” “Time Out of Mind,” “Luce” and “Sex and the City” […]
2022
Cut to Black: Vincent K. “Vinnie” DeRamus, Assistant Editor
Various projects from film trailers for “Transformers” to “The Voice” to “Chicago Med” […]
2022
Cut to Black: Lewis Erskine, Picture Editor
Esteemed Documentary Editor who won and Emmy and and Eddie for his work on “Freedom Riders” […]
2022
Cut to Black: Fred Brown,aka Freddie, Assistant Editor
Assistant Editor whose credits include “Pokemon Detective Pikachu,” “Star Trek Beyond,” and “Walking Dead” to name a few […]
Technology
When In-Person Recording Isn’t Possible, It’s Time to Turn to Remote ADR
In a time of pandemic, remote ADR is taking on increased importance. But there can be some pitfalls in getting the right dialog into a scene, especially when you can’t be in-person with the talent on a dub stage or studio. […]
Departments
At the Point of Crisis, Survival Is Victory
I recently took a CPR class at the Editors Guild offices in LA, which was organized through The Wellness Program. I felt compelled to take the class after a colleague saved the life of our color timer after he had a heart attack during a meeting on “Dunkirk.” […]
Getting Organized
Getting Organized: Yes, Shows Can Be Organized Even During a Global Pandemic
Like a lot of our members who have had employment during the pandemic, Editors Guild staff members have been working from home. […]
