The Self-Composed Music Editor
Scott Stambler is normally a music editor––but on this version of Payback, he’s composing for the first time. […]
Scott Stambler is normally a music editor––but on this version of Payback, he’s composing for the first time. […]
Hutshing’s career has certainly come a long way from the time he arrived in Los Angeles after college in 1981 and hustled for work by advertising himself as an “editor for hire” on the bulletin boards at UCLA. […]
Richard Hymns is busy working on the film with assistant supervising sound editor Andre Fenley and sound designer Frank Eulner at Skywalker Sound in Marin County, California […]
Since she discovered her passion for post-production while studying film at the University of California Santa Barbara, there was nothing up in the air about the career choice of Dana Glauberman, A.C.E. […]
Through several TV projects and five feature films, the relationship between editor Dan Lebental, A.C.E., and director Jon Favreau has evolved to the point where Lebental views himself as Favreau’s creative consultant when it comes to helping the director figure out exactly where his movies are going. […]
CineMontage interviewed the two editors as they were finishing work on ‘The Hangover Part III.’ […]
CineMontage spoke with Michael Tronick, A.C.E. as he was finishing work on ‘2 Guns’. […]
Screenwriters aren’t the only ones benefitting from the richness of material now playing on cable television, or streaming from Netflix. The complexity of subject matter and shooting styles, previously the domain of theatrical film, are allowing series editors to stretch their legs as well. […]
When Tatiana S. Riegel, A.C.E., set her mind to become a film editor, she went about it with the methodical planning to be expected from the daughter of an astronomy professor. […]
For over two decades, the American Cinema Editors (ACE) has sponsored the ACE Internship Program to help bring motivated individuals into the editing profession. […]
©2016-2021 Motion Picture Editors Guild