Since she discovered her passion for post-production while studying film at the University of California Santa Barbara, there was nothing up in the air about the career choice of Dana Glauberman, A.C.E. […]
Through several TV projects and five feature films, the relationship between editor Dan Lebental, A.C.E., and director Jon Favreau has evolved to the point where Lebental views himself as Favreau’s creative consultant when it comes to helping the director figure out exactly where his movies are going. […]
CineMontage interviewed the two editors as they were finishing work on ‘The Hangover Part III.’ […]
CineMontage spoke with Michael Tronick, A.C.E. as he was finishing work on ‘2 Guns’. […]
Screenwriters aren’t the only ones benefitting from the richness of material now playing on cable television, or streaming from Netflix. The complexity of subject matter and shooting styles, previously the domain of theatrical film, are allowing series editors to stretch their legs as well. […]
When Tatiana S. Riegel, A.C.E., set her mind to become a film editor, she went about it with the methodical planning to be expected from the daughter of an astronomy professor. […]
For over two decades, the American Cinema Editors (ACE) has sponsored the ACE Internship Program to help bring motivated individuals into the editing profession. […]
To be birthed from the world of director Robert Altman and his legendary editor Geraldine Peroni, ACE, is a unique experience for a young editor. […]
Originally intending to be an actor, Keith Fraase fell in love with behind-the-camera work while at the University of Texas at Austin. Then he thought he wanted to be a cinematographer, but eventually fell into an apprentice editor job. […]
The editing career of Monty DeGraff has been in sync with some of television’s cultural icons. Mentoring younger editors has also become an important focus for him. […]
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