Features
‘Manchester’ United
by Rob Feld • portraits by John Clifford Kenneth Lonergan’s Manchester by the Sea made big news at the 2016 […]
Features
Features
Jerry Greenberg’s Long Love Affair with Editing
Asked to reflect on his many career achievements and adventures while he’s sitting in his Los Angeles living room on a warm October afternoon, Oscar-winning editor Jerry Greenberg, ACE, briefly hesitates. […]
Features
Confessions of a ‘Preditor’: What Goes on Behind Reality TV’s Cutting Room Door?
Editing in the world of Reality Television is nothing like editing scripted drama, comedy or MOWs in television. It’s not the craft that’s dissimilar; it’s the approach, terminology and producer structure. […]
Features
An Editor’s Director—Nonpareil
Robert Wise’s quiet leadership was rooted in a seemingly easy going inner security, a palpable respect for others. […]
Features
The Self-Composed Music Editor
Scott Stambler is normally a music editor––but on this version of Payback, he’s composing for the first time. […]
Features
The Hutshing Hustle: Self-Taught Editor for Hire
Hutshing’s career has certainly come a long way from the time he arrived in Los Angeles after college in 1981 and hustled for work by advertising himself as an “editor for hire” on the bulletin boards at UCLA. […]
Features
Robert Redford’s Golden Ears: The Sound Editors of ‘Lions for Lambs’
Richard Hymns is busy working on the film with assistant supervising sound editor Andre Fenley and sound designer Frank Eulner at Skywalker Sound in Marin County, California […]
Features
Making the Right Connections: Dana Glauberman Flies Solo as an Editor
Since she discovered her passion for post-production while studying film at the University of California Santa Barbara, there was nothing up in the air about the career choice of Dana Glauberman, A.C.E. […]
Features
The Editor as Consigliore: Dan Lebental Partners with Director Jon Favreau for Sci-Fi Western
Through several TV projects and five feature films, the relationship between editor Dan Lebental, A.C.E., and director Jon Favreau has evolved to the point where Lebental views himself as Favreau’s creative consultant when it comes to helping the director figure out exactly where his movies are going. […]
Features
Post ‘Hangover’: Debra Neil-Fisher and Jeff Groth’s Editorial Hair of the Dog
CineMontage interviewed the two editors as they were finishing work on ‘The Hangover Part III.’ […]
