
Cut to Black: Chris Frazier, Foley/Sound FX Editor
Foley and Sound FX Editor who has whose credits include “The Mandalorian,” “Shang Chi & The Legend of the Ten Rings,” “The Suicide Squad,” and “Raya & the Last Dragon” […]
Foley and Sound FX Editor who has whose credits include “The Mandalorian,” “Shang Chi & The Legend of the Ten Rings,” “The Suicide Squad,” and “Raya & the Last Dragon” […]
Ken Burns did it. So did Michael Moore. But a lot of documentary filmmakers don’t go union. Is that about to change? […]
The Television Academy revealed nominations Tuesday for the 72nd Emmy Awards, with Netflix dominating the field with 160 nominees led by its drama Ozark. Listed are nominees for classifications represented by the Editors Guild. […]
Every day, our tireless MPEG Field Reps work hard to get you answers to your workplace questions. And every quarter, they do it right here at CineMontage. So let’s get to a burning question! […]
Faced with a demanding career and a time-crunched personal life, a veteran film editor is behind a new system designed to help colleagues find the right balance. […]
The Motion Picture Editors Guild regrets to announce the resignation of Field Representative Karen Greene, effective August 18, 2017. […]
At the close of the 68th IATSE Convention International President Matt Loeb presented Editors Guild National Executive Director Cathy Repola with the Outstanding Woman Leader Award, honoring her work as Chairwoman of the IATSE Women’s […]
An informative panel discussing the workflow for visual effects in the editing suite, as part of the ongoing “Partnerships in the Editing Room” seminar series, which examine editorial workflow in television and the relationships of the editorial department and post producers. […]
Dan Dillon of Erie, Colorado passed away June 6, 2015 in Denver, Colorado after suffering a fall. He was 76. Born January 14, 1939 in Chicago, Illinois […]
The editor described the first part of the picture as “quite humorous at times,” which would have helped audiences accept the tragedy of the second half. […]
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