In reading works by authors prior to commercial publication, story analyst Donna Choo has the opportunity to flag emerging or underrepresented voices who “just need time to develop” before having their pieces adapted for visual audiences. “I feel like I’m infiltrating in my own way,” she said. […]
Where are you currently employed? I’m in between projects at the moment. Current projects? The last movie I worked […]
By Rob Feld When she was 13 years old in Peru, Sandra Montiel’s uncle, a filmmaker, came to visit her […]
“I used to edit reality shows. My heart was never into cutting reality, but I was tempted by the dark side — the money.” […]
During his introduction, ACE president Kevin Tent made pointed reference the Academy’s decision to pre-record the award presentations for eight craft awards, including film editing and sound. Tent called the decision “hurtful, insensitive and short-sighted,” with residual effects that will require bridge-building. […]
The result was a custom-made scavenger hunt that took place on March 20. The immersive event was designed to lead attendees on a journey through film history as they searched for the answers to 20 questions about women’s contributions to film inside the exhibition galleries throughout the museum’s beautiful 50,000 square-foot campus. […]
“You can learn the gig, but if you’re pretending to be someone you’re not, it can be unhealthy for you and for the people around you.” […]
By Rob Feld While studying film at UC Santa Barbara, Andy Jurgensen quickly found editing to be the perfect blend […]
“My disability in a way makes me a better assistant editor because communication is so important to me.” […]
Bento Box Entertainment produces animated series such as “HouseBroken,” “Farzar,” “Paradise PD,” and the forthcoming “Krapopolis.” (Editorial crews on some other Bento Box titles, such as “Bob’s Burgers,” already enjoyed union representation through Bento Box’s partnership with other signatory studios.) […]
©2016-2025 Motion Picture Editors Guild
