Those of us gathered in the audience on this early November evening did not need an introduction to the guest of honor sitting among us: the editor, Dede Allen, ACE. […]
Cutting It in Hollywood: Top Film Editors Share Their Journeys by Mitchell Danton, ACE Introduction by Michael Kahn, ACE Hollywood […]
Director Gregory La Cava introduced moviegoers to a host of energetic young women living together in a theatrical boarding house, struggling for survival and stardom on the New York stage, when his “Stage Door” premiered in San Francisco 80 years ago, on October 6, 1937. […]
This year’s Oscar nominees for Best Sound Editing transport us to three very distinct war zones (American Sniper, The Hobbit: The Battle of the Five Armies, Unbroken), take us for a roller-coaster ride inside a wormhole and a black hole (Interstellar), and put us in the mindset of a has-been movie star going out of his mind (Birdman). […]
The Academy Award nominees for Film Editing this year exemplify the importance of the collaborative role of the editor in shaping a director’s vision. […]
This year’s Oscar nominees in the Sound Mixing category include an offering that profiles a conflicted long-gun wielder, one that focuses on a sadistic music teacher, a zany theatrical comedy, a journey across space and time, and a character overcoming adversity. […]
This year’s Oscar nominees for Best Editing explore the economic collapse of Wall Street in 2008 as a black comedy; return to an iconic post-apocalyptic world, as well as a galaxy, far, far away; go on a metaphysical journey in the frozen wilderness; and provide an inside glimpse of The Boston Globe’s Pulitzer Prize–winning coverage of the Catholic Church sex scandal cover-up. […]
This year’s Oscar nominations in the Sound Mixing category are for movies that focus on arduous journeys and tasks, some leavened with comedic moments. […]
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