I Cut My Teeth on Kinescopes
My interests in film and theatre started at Roy Elementary School in Northlake, Illinois, when I got to do lighting for school plays. […]
My interests in film and theatre started at Roy Elementary School in Northlake, Illinois, when I got to do lighting for school plays. […]
by Edward Landler The Membership Outreach Committee recently offered three separate classes, each comprising two sessions over two consecutive days, […]
My job is to dance with footage and strike a pose or two in the routine; I find the best moment, rhythm, angle in the footage. […]
“I log and transcribe reality footage and interviews in real time. When I am logging footage, I am typing detailed descriptions of the scenes and noting what is important. When I am transcrib- ing, I am typing what is said in the interviews word for word.” […]
In February 2013, about a year before the formation of the Guild’s Membership Outreach Committee, I and the other editors and assistant editors of the fourth season of Swamp People (2010-present) returned to work under an IATSE contract after a four-day work stoppage that “flipped” the previously non-union show. […]
The Guild’s Asian-American Steering Committee hosted a traditional brunch and panel discussion by distinguished group of Asian-heritage union members. […]
Production felt like endless problem solving––whereas editing was about storytelling using a vocabulary of images and sounds, and that excited me. […]
When I saw the ending montage of my character walking into the sunset to the Doors’ “Not to Touch the Earth,” I was floored at the raw emotion it invoked in me. It was a defining moment and my first encounter with the power of image and music. […]
Many of the editors I met asked me why I didn’t want to become a director like my dad. To me, editing was far more interesting than directing — and you didn’t need a small army of people to do it.
[…]
Here are examples of some of the help that the union staff have provided to hundreds of members over just the last year. […]
©2016-2021 Motion Picture Editors Guild