Committee News
Cut to Black: Glenfield Payne, Sound Editor and Re-Recording Mixer
“A Primetime Emmy Nominated Sound Editor knows for his work on ‘4 Little Girls’ doc, ‘Beasts of No Nation,’ and much more” […]
Re-recording Mixers
Awards
Oscars 2020: Picture and Sound Editors and Mixers Speak Out on Their Nominations
“Many before have said filmmaking takes a village.” […]
Web Exclusives
Tom Fleischman and Sound Editors Eugene Gearty and Philip Stockton Reveal the Silent Secrets of ‘The Irishman’
“Marty is totally focused on telling the story.” […]
Web Exclusives
Cinema Audio Society Nominates Dozens of Guild Members for Sound Mixing Awards for ‘Irishman,’ ‘Ford v Ferrari,’ more
“Joker,” “The Irishman,” “Rocketman” and more get nominations for CAS prize […]
Web Exclusives
How Can Women Advance in Post Careers? Four Top Pros Shared Their Tips and Personal Stories at Power Summit
The panel, moderated by Guild National Executive Director Cathy Repola, offered a front-line perspective on issues faced by women in post-production, with tips, personal stories and practical wisdom from four pros in the industry. […]
Web Exclusives
Randy Thom on ‘Making Waves,’ the Documentary That Gives Voice to 90 Years of Sound in Movies
“Sound is generally undervalued as a creative asset, and sound people are undervalued as creative contributors.” […]
What Our Members Do
What Our Members Do: Michael Babcock, Supervising Sound Editor/Sound Designer/Re-Recording Mixer
“I do my most creative work when there are constraints.” […]
Web Exclusives
Now Hear This: 2019 Mix Event at Sony Gave Sound Pros a Chance to Pick Up Secrets Buried in the Tracks
“The show’s music sets the tone.” […]
Web Exclusives
EMMYS 2019: Here Are All the Guild Members Who Won Creative Arts Awards Over the Weekend
Held Saturday and Sunday nights in Downtown Los Angeles, the awards honor creative and technical achievement in numerous categories, including picture and sound editing, sound mixing, and technical direction. […]
What Our Members Do
What Our Members Do: Jillinda Palmer, Music Editor
“My biggest challenge is navigating the dynamics between producers and mixers.” […]
