While two displays sound better than one, there were a few problems with this solution, the biggest being the physical gap between them. Yes, it was possible to take a window or a palette and stretch it across both displays, but it was practically impossible to work that way.
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Blackmagic Design continues to maintain its impressive track record of delivering well-designed products, including cameras, software, switchers, converters and a plethora of other useful tools for the production and post industry. […]
Among the challenges of creating The Hateful Eight in “glorious 70mm,” as filmmaker Quentin Tarantino described it in his original screenplay, was the fact that it required an overall post workflow that was highly irregular in many respects — both a throwback to an earlier era and extremely complex at the same time. […]
Though their jobs run the gamut from low-tech to the highest levels of digital file management, they all have certain attributes in common: an ability to step into a variety of situations. […]
Working on Leverage gave Kenneth L. Johnson his own leverage to push his own shop, Artistry in Sound, to the next level. […]
For both mixing and workstation technologies at Technicolor’s new post complex, Avid served as the primary hardware supplier. […]
Representing one of the most exciting new sound post-production facilities to be built in Tinsel Town in several decades, the Technicolor at Paramount complex on Melrose Avenue in Hollywood comprises eight re-recording theatres, three ADR stages, a large Foley stage, eight sound design suites, 16 editorial suites, six DVD/ Digital New Media editing/encoding rooms and a pair of 7.1-channel HD video layback/ Transfer/QC rooms. […]
This article looks at the East Coast sound contingent, which consists of a handful of post-production facilities that cater to the needs of independent filmmakers and directors based close to the Big Apple. […]
Orchestral layout is highly dependent upon the type of film music being recorded, according to scoring mixer John Kurlander. […]
With movie-going audiences expecting fully immersive visuals from 3D presentations, the sound post-production community is fast playing catch-up with immersive surround-sound systems. […]
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