2022
Cut to Black: Colin Taylor, Picture Editor
Editor whose proudest credits include “An Opry Salute to Ray Charles” and the 79th Annual Academy Award Nominee Packages
MPEG Diversity
2022
Cut to Black: Libya El-Amin, Picture Editor
Picture Editor on the new series “Bust Down” on Peacock
2022
Cut to Black: Frederick D. Hawthorne, Supervising Editor/Supervising Producer
Supervising Editor and Producer whose proudest credits include “Malcolm X,” “48 Hours” and “Survivor”
2022
Cut to Black: Angela Latimer, Picture Editor
Picture Editor working on “Bel-Air,” the reimagining of the classic Will Smith sitcom, “Fresh Prince”
2022
Cut to Black: Lynarion Hubbard Spellman, Picture Editor
Emmy Award Winning Editor currently working on the first season of “Rap Sh!t”
2022
Cut to Black: Chris Frazier, Foley/Sound FX Editor
Foley and Sound FX Editor who has whose credits include “The Mandalorian,” “Shang Chi & The Legend of the Ten Rings,” “The Suicide Squad,” and “Raya & the Last Dragon”
2022
Cut to Black: Antonia de Barros, Picture Editor
An Editor who continues to “trust the process” and whose credits include “What We Do in the Shadows,” “Shining Vale” and “Rise of the Pink Ladies”
2022
Cut to Black: Wali Goins, Assistant Editor
Versatile Film/TV Assistant Editor whose credits include “A Black Lady Sketch Show.” His first film as Editor is currently on the festival circuit.
2022
Cut to Black: Leigh Gaston, Assistant Editor
Assistant Editor on “The Good Doctor” and then changes it up and works as a Digital Editor on “The Voice”
2022
Cut to Black: Tyson Penrose, Assistant Editor
“House of Creators” Assistant Editor who is currently working on a project at Disney…making his mark
