MPEG Diversity -

Cut to Black: Colin Taylor, Picture Editor

February 27, 2022

Editor whose proudest credits include “An Opry Salute to Ray Charles” and the 79th Annual Academy Award Nominee Packages […]

Cut to Black: Libya El-Amin, Picture Editor

February 26, 2022

Picture Editor on the new series “Bust Down” on Peacock […]

Cut to Black: Frederick D. Hawthorne, Supervising Editor/Supervising Producer

February 23, 2022

Supervising Editor and Producer whose proudest credits include “Malcolm X,” “48 Hours” and “Survivor” […]

Cut to Black: Angela Latimer, Picture Editor

February 25, 2022

Picture Editor working on “Bel-Air,” the reimagining of the classic Will Smith sitcom, “Fresh Prince” […]

Cut to Black: Lynarion Hubbard Spellman, Picture Editor

February 22, 2022

Emmy Award Winning Editor currently working on the first season of “Rap Sh!t” […]

Cut to Black: Chris Frazier, Foley/Sound FX Editor

February 21, 2022

Foley and Sound FX Editor who has whose credits include “The Mandalorian,” “Shang Chi & The Legend of the Ten Rings,” “The Suicide Squad,” and “Raya & the Last Dragon” […]

Cut to Black: Antonia de Barros, Picture Editor

February 19, 2022

An Editor who continues to “trust the process” and whose credits include “What We Do in the Shadows,” “Shining Vale” and “Rise of the Pink Ladies” […]

Cut to Black: Wali Goins, Assistant Editor

February 20, 2022

Versatile Film/TV Assistant Editor whose credits include “A Black Lady Sketch Show.” His first film as Editor is currently on the festival circuit. […]