2022
Cut to Black: Pam DeMetruis-Thomas, Sound Editor
Sound Editor for film/tv whose credits include “Passing,” “Time Out of Mind,” “Luce” and “Sex and the City” […]
Web Exclusives
2022
Cut to Black: Vincent K. “Vinnie” DeRamus, Assistant Editor
Various projects from film trailers for “Transformers” to “The Voice” to “Chicago Med” […]
2022
Cut to Black: Lewis Erskine, Picture Editor
Esteemed Documentary Editor who won and Emmy and and Eddie for his work on “Freedom Riders” […]
2022
Cut to Black: Fred Brown,aka Freddie, Assistant Editor
Assistant Editor whose credits include “Pokemon Detective Pikachu,” “Star Trek Beyond,” and “Walking Dead” to name a few […]
Web Exclusives
Sabine Hoffman Talks of Editing a Black and White Journey in Period Drama ‘Passing’
“’Passing’ is a story of many layers—it invites another look, a second viewing, and with every round you notice other aspects.” […]
Web Exclusives
IATSE Members Approve Strike Authorization With 98% Yes Vote
Ninety-eight percent of members voted yes; the turnout was 90%. […]
Web Exclusives
ACE Comes Out in Support of IATSE as Strike Vote Nears: ‘The Status Quo Isn’t Working’
“Adequate sleep, reasonable turnaround times, meal breaks, sustainable health and retirement benefits and living wages are the basic building blocks of a healthy industry and benefit producers as well as crew,” ACE, the 61 year-old honorary society for film editors, wrote in a statement. […]
Web Exclusives
After Board Strike Vote, Guild Leaders Vow to Show ‘What Solidarity Looks Like’
This is a historic moment for the rank-and-file members of the IATSE bargaining unit. […]
Industry
Next-Gen Exhibition Formats Emerge at NAB
With a reported attendance in excess of 100,000 from some 160 countries, plus 1,800-plus exhibitors, the NAB Show is often described as the world’s largest convention encompassing the convergence of media, entertainment and technology — the self-styled “MET Effect.” […]
Guild
With Talks at ‘Critical Juncture,’ Local 700 Member Meeting Draws Record Turnout
These thousands of post-production professionals logged on to hear National Executive Director Cathy Repola report on the ongoing IATSE Basic Agreement negotiations, which occur every three years and affect contracts in film and television. The turnout eclipsed the meeting during the last negotiation cycle in 2018 when about 2,100 members showed up in the ballroom of the Sheraton Universal. […]
