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Behind the Scenes with the Editing Team of ABC’s ‘How to Get Away with Murder’
“I really rely on my editors to have a story brain and to be co-writers with me.” […]
“I really rely on my editors to have a story brain and to be co-writers with me.” […]
Music Editor Sally Boldt recalls the making of ‘Groundhog Day,’ again and again and… […]
“Joker,” “The Irishman,” “Rocketman” and more get nominations for CAS prize […]
“The show’s music sets the tone.” […]
“My biggest challenge is navigating the dynamics between producers and mixers.” […]
In 1989, five teenagers of color were arrested and accused of the rape and brutal beating of a white woman who had been jogging in Central Park. Although the DNA on the rape kit didn’t match any of the young men, they were first coerced to “confess” and convicted by juries in two separate trials in 1990. Dubbed the Central Park Five, the boys became men during their six to 13 years in prison before a convicted serial rapist confessed to the attacks in 2002. […]
On March 23, 2019, the Motion Picture Editors Guild’s Women’s Steering Committee organized an evening celebration in the Guild’s Dede Allen Seminar Room honoring Women’s History Month. […]
The documentary Making Waves: The Art of Cinematic Sound, which CineMontage wrote about in October 2017, will receive its world premiere at the Tribeca Film Festival in New York City in late April. […]
The Motion Picture Sound Editors (MPSE) has announced the nominees for the 66th Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past […]
Released in 1964, director Robert Stevenson’s original ‘Mary Poppins,’ starring Julie Andrews, Dick Van Dyke, David Tomlinson and Glynis Johns, set a benchmark in the Walt Disney Studios canon of full-energy musicals. […]
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