WEB EXCLUSIVES

Oscar’s Favorite Re-Recording Mixers: 2017

Featured Stories
February 10, 2017

The 89th Academy Awards nominees in the Best Sound Mixing category cover a broad cross section of films, ranging from the story of an alien invasion to betrayal in Libya, through a harrowing WWII battle, musical fun in the Big Orange and a pan-galactic escapade. […]

Oscar’s Favorite Sound Editors: 2017

Featured Stories
February 10, 2017

On January 24, the Academy of Motion Picture Arts and Sciences revealed its list of nominees for the 2017 Oscars. The sound editing teams behind Arrival, Deepwater Horizon, Hacksaw Ridge, La La Land, and Sully were all nominated. CineMontage spoke to these sound editors about the challenges and highlights of working on their respective movies. […]

FEATURES

Julia Wong Gets ‘The Last Word’

February 15, 2017

As the new comedy The Last Word premiered at the Sundance Film Festival January 24, editor Julia Wong, ACE, was recalling to CineMontage what a great experience she had cutting the movie. “Director Mark Pellington was a great collaborator and so much fun to work with,” she says. “We hit it off right away.” […]

You Want It ‘Darker’

February 15, 2017

Listening to singer-songwriter Halsey’s new single, “Not Afraid Anymore,” as it pulsates through a fresh Dolby Atmos mix on a stage at Universal Studios in the company of music editors Angie Rubin, MPSE, and Bill Abbott can be a bit of an unsettling experience. […]

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