
Cut to Black: Sam Pollard, Former Picture Editor
An acclaimed editor and doc producer/director, and worked with Spike Lee on many iconic films, such as “Mo’ Better Blues” and “4 Little Girls” […]
An acclaimed editor and doc producer/director, and worked with Spike Lee on many iconic films, such as “Mo’ Better Blues” and “4 Little Girls” […]
Winner of three Emmys and owner of Artistry in Sound studio […]
“A Primetime Emmy Nominated Sound Editor knows for his work on ‘4 Little Girls’ doc, ‘Beasts of No Nation,’ and much more” […]
“I vow to do whatever I can, whatever is necessary, toward strengthening our position and keeping the Guild powerful, united, and working for its members.” […]
I have seen and reviewed many workstations over the years, including desktops and mobile computers. However, the HP ZBook Studio x360 immediately struck me as something special. […]
Five years ago, I began a relationship with an unlikely companion. […]
Fifteen years ago, when our Board of Directors decided to bring the publication of our Editors Guild Magazine in-house, what seemed most daunting was finding the right person to lead us forward. […]
Each of our collective origin stories began with a singular decision, finding success in one of the most competitive job markets in the world: Hollywood. Your own personal journey might have started in high school A/V club, college or even later in life with the decision to change careers. […]
Norman Hollyn, ACE, was a large persona: tall, with a head of snow-white hair and a great laugh. His life was enormous and touched thousands of people around the world. He was an assistant editor, a music editor, a picture editor, an author, a teacher, a husband and a father. He was also the first holder of the Michael Kahn Endowed Chair of Editing at the University of Southern California, where he served as a full professor at the School of Cinematic Arts. […]
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