Cut to Black: Sam Pollard, Former Picture Editor
An acclaimed editor and doc producer/director, and worked with Spike Lee on many iconic films, such as “Mo’ Better Blues” and “4 Little Girls” […]
An acclaimed editor and doc producer/director, and worked with Spike Lee on many iconic films, such as “Mo’ Better Blues” and “4 Little Girls” […]
Winner of three Emmys and owner of Artistry in Sound studio […]
“A Primetime Emmy Nominated Sound Editor knows for his work on ‘4 Little Girls’ doc, ‘Beasts of No Nation,’ and much more” […]
In late January, the LGBTQ Steering Committee presented a discussion at the Guild entitled “Working It Out: Being LGBTQ in Post-Production.” About 30 members participated and, even for a Diversity Committee event, the group was…well, diverse. […]
On March 23, 2019, the Motion Picture Editors Guild’s Women’s Steering Committee organized an evening celebration in the Guild’s Dede Allen Seminar Room honoring Women’s History Month. […]
On Monday, September 3, an exciting new tradition began. How fitting that it was Labor Day when the First Annual Female Picture Editor Emmy Nominees celebration kicked off at the historic Culver Hotel in Culver City, California. […]
On a Saturday in late June, over 40 women members gathered at the Guild’s LA headquarters for a roundtable entitled “#MomsToo.” Amy Adrion, who directed “Half the Picture” (2018), which “celebrates the groundbreaking work of female film directors and investigates the systemic discrimination” against women in Hollywood, was also in attendance. […]
During the last week of June, the Editors Guild Diversity Committee’s African-American Steering Committee hosted “The Art of Negotiation,” an eye-opening panel to show how agents serve below-the-line talent as well as those above the line. […]
The Academy of Motion Picture Arts and Sciences has extended invitations to join the organization to 928 artists and executives from 59 countries — including 37 Editors Guild members in good standing — who have distinguished themselves by their contributions to theatrical motion pictures […]
“Great film editing begins with great pictures,” said Barbara “Bobbie” McLean in a 1977 interview in Film Comment magazine. She could make such a gracious statement with authority at that point, after cutting for more than 60 years, beginning as […]
©2016-2021 Motion Picture Editors Guild