The owners and participants in Formosa Group are all creatives who together with 10 other seasoned post professionals, comprise the talent pool of a new operation that opened for business in early 2013. […]
A few months before I started working on The Descendants, Alexander told me he wanted the score for that film to be made up solely of pre-existing, traditional Hawaiian music. It was an exciting challenge. […]
For over 100 years, the unsung heroes of the film industry have been the thousands of men and women who work in film laboratories. […]
With the ubiquitous digital audio workstation (DAW) now a key creative tool for not only sound designers and supervising sound editors, but also re-recording mixers, the choice of plug-ins can make the difference between an average clip and a truly attention-grabbing track. […]
his summer, the debut of his latest film emphasizes the music-appreciation side of Eastwood as never before. […]
These days, it takes a team of talented post-production professionals to prepare soundtracks for motion pictures and network/cable TV programs. […]
The CBS-TV hit Big Brother, hosted by Julie Chen and now in its 18th season, has a winning formula: Viewers watch a diverse group of people living together in a house, as […]
Many of the people who work in the production and post-production communities are, by their very nature, unsung heroes. […]
Brian A. Kates, ACE, counts firmly as one of New York’s quintessential indie film editors. He initially came to film through the lens of post-production […]
While music editorial normally is one of the last chores to be completed prior to the mix — preferably against a locked picture — the creative choices start early in the process. An orchestral score or prominent source music can propel a dramatic narrative as strongly as the dialogue. […]
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